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CAVALLI ROARS AGAIN IN MILAN

Among the highlights that were announced beforehand of this new edition of Milan Fashion Week this is taking vicinity these days in the famous Italian metropolis, taken into consideration in its very own proper as one of the main global style capitals, may be held this past Wednesday the parade of Roberto Cavalli. Italian fashion residence that changed into in charge of remaining the outlet day of this edition, in what ended up being the brand's triumphant return to the professional calendar of a Milan Fashion Week, which used so much to offer its ladies's collection for the subsequent Spring / Summer season of 2022, as to make respectable the new stage wherein the company has entered, now underneath the creative path of Fausto Puglisi.

The Sicilian dressmaker, who changed into appointed Cavalli's new creative director closing October 2020, made his debut in this manner for the primary time seeing that taking office on the catwalk presenting his 2nd series for the residence. A thought born from its personal heritage and from the firm's very own data, fabric that Puglisi did now not hesitate to reissue and recontextualize, shaping a collection that gave off the equal force as Cavalli of beyond decades, but in whose language the Sicilian has ended up incorporating new motifs, tonalities and innovative codes, in what was supplied as a natural evolution of the residence from its origins, for you to still need to await destiny collections as a way to in the end determine the which means and route that the firm is now taking underneath the baton of the Italian fashion designer.

Tribute to the Cavalli of the 2000s

As the leitmotif of the concept, Puglisi reinterpreted one of the maximum iconic garments in the records of Cavalli: an nighttime slip get dressed with a bias skirt and tiger print, which became commissioned to provide a statuesque Cindy Crawford during the parade of the Autumn / Winter 2001/2002 collection of the Italian residence. Model utilized by the innovative, to extract the picture of a tiger that well combines the energy, magnetism and the flavor for extra which have continually characterized the firm, and that made it the valuable motif of each and every one of them. The garments that were proven at the catwalk.

Uniting on this way the conventional animal prints with which the firm has been figuring out so well, together with a marked cutting-edge stamp introduced through light, even though correct, nuances and details, they stood out at the catwalk from the “cut-out minidress ”Black with iridescence and a tiger print that opened the show, as much as the huge large quantity that followed it of flowing attire, minidresses, coats, jackets or maybe present day leggings, all in tiger-orange print. The same sample that might be found at the confined guys's pieces which are additionally covered in this collection, a suggestion that ends up being completed with a chain of clothes and sun shades more at the forefront in terms of the innovative language of the house, which include sandals. And heels within the form of hooves and claws,

Haute couture garments that scream "I'm the celebration"

As a last word, from Cavalli they underline the expanded individual that has been sought to print to the gathering, in search of a return to that gathering that now not most effective allows growing the value of the clothes, but additionally that they are extra timeless in what's it translates right into a lengthening of a useful existence that maintains them away from the rhythms of traits. Some portions with a greater normal high fashion manufacture, and consequently more sustainable in phrases of price and use of sources, among which they stand out as a part of this collection from luxurious coats with hand-sewn brocades, up to unique nighttime dresses with rhinestone inlays in animal print,

“The idea of collectibles is lower back”, with a “superb jacquard coat with a black history on which iridescent hand-sewn brocades are found out”, whilst the “nighttime dresses were sculpted the usage of the moulage approach”. From Cavalli, thru a declaration, about this series; with which the Italian house “seems at nature with a gaze of affection and, as inside the 2000s, shouts”, with the force of a tiger, “I am the celebration”.